The Color Thesaurus

This Color Thesaurus is a fabulous resource for writers. I was inspired with fantasy ideas just looking at it!

Ingrid's Notes

I love to collect words. Making word lists can help to find the voice of my story, dig into the emotion of a scene, or create variety.

One of my on-going word collections is of colors. I love to stop in the paint section of a hardware store and find new names for red or white or yellow.  Having a variety of color names at my fingertips helps me to create specificity in my writing. I can paint a more evocative image in my reader’s mind if I describe a character’s hair as the color of rust or carrot-squash, rather than red.

So for fun, I created this color thesaurus for your reference. Of course, there are plenty more color names  in the world, so, this is just to get you started.

Fill your stories with a rainbow of images!













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Grammar never goes out of style


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grammarWriters need grammar, not so we can be pedantic about semi-colons, but to ensure that what we’re trying to convey to readers has some chance of translating intact from our brains to theirs.

My motto with writing is “Clarity above all”, so I’m mindful of the fact that the way we put words together can either help or hinder our readers when they engage with our stories (or our blogs, Facebook posts, Tweets). Grammar and style are vital elements of writing, yet many creative, talented writers need help in this area.

Because of that, I’m excited to recommend a user-friendly FREE course on Grammar and Style through the University of Queensland (Australia). Here’s some detail:

WRITE101x will introduce you to some marvelous and quirky resources that we have annotated for your guidance, show you video clips of interviews that we conducted with distinguished grammarians, challenge you with quizzes and writing activities that will give you strategies to help you to build skills that will enhance the quality of your writing, and invite you to enter into discussions and assess the work of your peers in an interactive environment.

WRITE101x begins September 22nd   2014 and you can enroll now.

If you want a solid grounding in grammar, or simply want to brush-up your skills, this course might be perfect for you!



Plot driven versus character driven? All bullshit.

Fabulous blog for novelists by Dr Kim Wilkins on how to craft the interaction between character and plot.

Hexebart's Well

From time to time, aspiring writers ask me what is the best kind of story: one that is plot-driven or one that is character-driven? Somehow the idea that the two are distinct and one can be privileged over the other persists. “Character-driven” is usually seen as the mark of serious writing, while “plot-driven” is understood to be written by hacks pandering to the marketplace. This is a false distinction, and a potentially dangerous one at that. No writer can afford to overlook one or the other: a good story is driven by both good plot ideas and good characters. The trick is managing them right.

1. A story isn’t a story until it has people and problems. These two things (character and plot) cannot in any way be conceived outside of each ot An idea for a fascinating character means little until that character is challenged in some way…

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5 Day Intensive Manuscript Development Program


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Australian fiction writers, I’d like to give you the heads-up about a fabulous opportunity to develop your finished manuscript to publication standard. Romance Writers of Australia are running 5DI, a five day intensive manuscript development program with International best-selling authors as tutors.

t-m-clarkAustralian author T.M. Clark has done 5DI twice and both her novels have sold to Harlequin MIRA.

She said, “I did this 5Di – 5 day intensive – twice, in my journey towards publication. I can’t hold it in high enough regard. By Brother-But-One was my first book that attended, and Tears of A Cheetah (To be publish December 15) was the second. SOOOOOOO worth paying for the help and investing in yourself for the week. Writers – a must!”

Speaking as a tutor, I can attest to the fact that these intensive manuscript development programs really work. Ten years ago I was a tutor for the  EnVision manuscript development program which focused on speculative fiction manuscripts. Over the years I’ve seen many of the EnVision attendees go on to publication, and the quantum leap in writing craft they achieved in that week of intensive learning astonished even the tutors. As I result I’ve advised clients to attended 5DI, and those who have done so have spoken highly of the experience.

These sorts of immersion opportunities don’t come along every week, or even every year. Romance Writers of Australia’s 5DI is for manuscripts “in any romantic sub genre, including mainstream books with romantic elements. This workshop is open to all members of RWA who are aspiring and emerging authors and over 18 years of age.” (Read their conditions of entry for all eligibility criteria.)

Any fiction manuscript with romantic elements (sex, attraction, a love story subplot) should qualify whether it’s a crime novel, a fantasy, paranormal, young adult, etc, and the joining fee for RWAustralia membership will provide you with more writing support and industry information than you can now imagine. You have to qualify to attend 5DI, so do read the entry information carefully.

If you want to take your writing to the next level, I urge you to apply for this opportunity. If you are accepted, I promise you’ll get your money’s worth (and more).

Details are here:



Writers: using a Research Assistant is easier than you think


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This is me mock-strangling Heather Gammage!

Why do writers create historical or fantasy settings that require research, when they hate researching? I have no clue, but I do it myself. It’s one thing to swan over to Rome and Florence to research the Medici at the time of the Italian Renaissance, but when I get home and realize I’ve forgotten some details, I often resent time spent sourcing those bits and pieces.

If you’re like me, help in the form of an on-call research assistant could be easier than you think. Today I’ve invited Brisbane research assistant Heather Gammage (who I’ve worked with – hence the mock-strangling photo) to describe what she does for authors. Heather has a BA in history with a minor in Classical languages (Latin). Her specific “field” is in the medieval, but she admits to a fair to middling knowledge of other eras and is an expert in tracking down hard-to-find references and facts.

So without further ado, here’s Heather:

Thank you, Louise, for inviting me to write about why I love being a research assistant.

I have written stories since I was a small girl. My original inspiration was Enid Blyton and the Trixie Belden books. My very first book was, essentially, a Trixie Belden rip-off I wrote at seven years old–the names of the teenaged detectives were different, and it was set in Australia, but it was clear where my ideas came from.

At the same age, I used to set myself assignments from the encyclopaedia on various things that piqued my interest. One week, I’d be reading about dogs, the next, I’d be copying lines out about the government of Indonesia. They were not brilliant, by any means (and, again, were mostly plagiarized), but looking back, it’s clear that the “research is my life” moniker I jokingly adopted on an online gaming forum in the early 2000s was based in more fact than I realized. Even more recently, I came to the conclusion that, while I love story-making and writing, what I really love about writing is the busywork leading up to it–the research; the world-building and the diving into dusty libraries for things I do not know. Perhaps that is why Trixie, the girl detective, resonated with me as a child.

I still write (and I have workshopped my fantasy novel with the fabulous Louise), but the practicalities of my current life circumstances and my university studies don’t allow me to seek publication–yet. Meanwhile, as a part of those studies, I applied for the 2012/2013 Summer Research Scholarship with The University of Queensland as a research assistant to Dr Kim Wilkins. I was thrilled when I was accepted! Over that summer, I worked with Kim on the research for her book Ember Island (published under her moniker Kimberly Freeman in 2013) as well as referencing and fact checking for her Year of Ancient Ghosts. Ember Island was set in modern and 1890s Brisbane, a fictional prison island based on St Helena Island, and also the Channel Islands (Jersey/Guernsey). As Kim worked on draft one, she asked me to research the things she needed for her historical setting–which varied from trade routes into Guernsey to how a rich boy would dress in 1890s England and Brisbane to how many inmates were on St Helena’s and what the guards were paid.

It dawned on me that I was doing two of the things I loved most, and being paid for it, and oh-my-god-wouldn’t-it-be-fantastic-to-do-this-forever. I could apply all of my very “bitsy” work and life experience: parenting, horses, painting, writing (in fiction, for games, and for academics), referencing in a range of different styles, research, history, small business ownership, gardening, retail, western martial arts, birth experience, arts admin, teaching, Latin, gaming and beta testing, web writing — I am a jack of all trades from work and experience over the years, but there is nothing that screams “hire me!” for one particular job.

But, surely, don’t all authors love researching? Who would hire me? Kim had always done her own research, and done it very well; the research assistant work was due to her publishing time constraints.

Then, in early 2013, I took Dr Kim’s writing class as an elective for my degree, which was, quite suitably, a “doing research for writing” course. As a part of this course, Kim asked other authors to speak at the lectures about how they approached their research. One author mentioned that she despised the research process.

Despised it? Really?

A whole tonne of pennies dropped on my head.

Since then, I have done work for other clients, as well as Kim, and as my undergrad studies end mid-year I will increase my hours to allow for full-time bookings. I absolutely love working with clients on their research as they write and edit their books, and my current rate is $40 an hour which clients pay in advance, usually buying a block of my time to use as they require it. Quite apart from the vicarious thrill of seeing an author’s writing before it is published, my authors ask me questions, often, about subjects I know very little to nothing about (my specialty is the medieval period and Western Europe, but I have researched as widely as 1890s Queensland, 1990s Victoria and London after WW2). So, I am always learning, always searching. My job is to make the process easier on the author, and they can focus on story, while I focus on accuracy (as far as practicable, and to an author’s requirements). It’s win-win.

Thanks so much for sharing today, Heather. I can hear a whole batch of authors out there on the Interwebs thinking How do I get her to work for me! If that’s you, Heather can be contacted at: heathermgammage AT gmail DOT com, and if you’d like to see what Dr Kim has to say about her beloved research assistant, you can read Kim’s blog On Having a Research Assistant.

If you’d like more info, or want to ask a question, please drop that into a comment below and either Heather or I will respond. Thanks for reading!

My favourite “How To” writing books


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Writing BooksI’ve read hundreds over the years, but I keep coming back to these ones + Stephen King’s On Writing which must be on loan. I can’t find it in my bookcase.

What are your favorite “How To” writing books?

Transition: you’re not delivering a baby, you’re writing a book


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Image courtesy of David Castillo Dominici/

Image courtesy of David Castillo Dominici/

I’ve had a revelation, and it’s going to resonate with mothers who remember that totally confusing moment during delivery called transition. It comes before you’re ready to push, and it feels like your brain just isn’t connecting with your body properly. You’re uncomfortable and confused and restless, but aren’t sure how or where to move. At this point, even the most circumspect woman can swear or grunt or do things that don’t seem to be under her control.

Believe it or not, for some writers there is a moment in drafting the story that feels like transition. I had one today. Instead of sitting quietly and writing, racking up word count, I kept getting up and going into the kitchen, not knowing why, making coffee I didn’t want, going out and checking if the washing was dry. I even found myself in the front garden with scissors, apparently getting flowers for the house. I have no idea why.

I am now in the study with the door shut (to keep myself in) and instead of writing draft I’m writing to you. But I didn’t want to lose the epiphany.

I’ve suddenly realized that this moment in the story that I’m about to ‘birth’ is what hangs everything together, and I’m just about to get it. If it was a conversation, I’d say, It’s on the tip of my tongue. I can’t see the words yet, or the actions my character is about to take, but they’re momentous. I’ve suddenly realized the whole book turns on this scene, and I had no idea until I got into it. Intellectually, nothing has changed. The hero still knows he’s going to have to kill the heroine to save his world, and he’s determined not to fall in love with her. They’re about to have sex for the first time and he wants it to be bad for her so she won’t like him, so there’s no chance she’ll get affectionate, because that’s his best chance for keeping her at arms’ length emotionally.

As the author, I knew all that and so did my hero. What I didn’t know, what’s clear to me now, is that the way he treats her when they make love will change everything between them. Not the plot. That will play out as relentlessly as duty commands for them both. Not even the romance which is also destined to follow a certain course because of their attraction and respect for each other. What will change is the dynamic between them, the nuanced and very human relationship that two people form when their lives are dependent on each other and things are complicated!

As the author, I’ve waited for this moment and dreaded it from page one. The characters in this novel are more ‘alive’ than any I’ve written in the past, and while part of me is elated to be pushing them into dangerous territory, another part of me dreads that I won’t be able to keep them who they are meant to be, who they were ‘born’ in my mind to be.

My revelation was realizing this was exactly the same way I felt before each of my children were born – dread and unutterable thrill warring inside me, pulling my mind one way and my body another.

SitAndStayI know I have said “Sit and stay!” in the past, encouraging writers to develop a consistent writing routine by showing up and being ready for the story to download through their fingers. But there are also times when you simply can’t stay, when the turbulence shows you that a story’s pivotal moment is about to be born.

Respect that. Give it the space it needs. Grunt if you need to. Swear. Cut flowers. Put the kettle on three times and forget to get out the coffee cup. At some point that ‘uncomfortable in my body’ sensation it will funnel into an imperative. The need to push.

The need to write.

Mine’s here now. I’m off! Wish me luck…

Motivation + Time = Maximum Productivity


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I’ve chatted to writers all year, and some have had a fabulous 2013. Some, not so great. One of the things I’ve noticed (not just this year, but every year) is that those writers who have a strong motivation to write, seem to get more done.

It sounds like a no brainer. If you’re dieting for no good reason, mud cake looks good. If your wedding is in three weeks (or your book launch) and you need to fit into that special dress, carrot sticks are the new chocolate.

So motivation – for characters and for writers – is key. And at the start of a story when the idea is fresh and the potential sales appear JK Rowling-ish, delusions of grandeur can take you far. As a mentor, I never knock writers off their lofty fantasy pedestals. It motivates them to get up early and work late (creating the time factor of the equation all by themselves). In fact, I encourage writers to pick a fantasy moment: walking the red carpet, getting a big advance payment in the mail, opening the box full of advance copies of their book and loving the cover, and then milking that fantasy for five minutes every day, wringing every bit of happy/ relieved/ satisfied/ thrilled emotion they can out of it. That builds motivation too.

The reality may end up looking like this:

The Bentley you thought you'd be buying with your first advance

The Bentley you thought you’d be buying with your first advance

Here Bentley, Here, Bentley. Good dog!

Here Bentley, Here, Bentley. Good dog!

So reality can dent your confidence, and therefore your motivation. How do you pick yourself up when you’ve had rejection in the past, you’ve lost perspective on your story, and you’re starting to doubt that it will ever get published, and if it does, that anyone will bother to read/ like it? Perhaps life itself has dealt you a crap year and those muddy glasses are making everything look terrible, including your writing.

Dear Manuscript, you look like this...

Dear Manuscript, you look like this…

Sometimes you have to start back at bedrock and just work at making yourself happy. My experience as a mentor has shown me that happy writers are productive writers and I reject the cliché that starving/troubled artists write the best work. We all experience life’s ugly moments. Some writers unfortunately have had more pain than others. And yes we do draw on memories of those dark times to bring our stories vividly to life. But we don’t have to be experiencing that pain now to be writing our best. We simply need to be good at remembering what it felt like, and luckily for us, really bad moments seem to be engraved in our memories!

Publishers and agents want to work with productive writers, those who can create saleable novels year in, year out, building readership and thereby sales and profits for all. If you can get happy and stay happy, you’ll have your best shot at being that author. The delightful side-effect is that you’ll also be a fab person to be around, and family and friends will stop doing this when you walk in the room:

Has she made her word count? Is her eye twitching. For godsakes, Marg, whatever you do, don't mention the manuscript.

Has she made her word count? Is her eye twitching? I can’t look.

So here’s my tip for the end of the year, to wash away any unpleasantness from 2013 and set yourself up for a cracker super-happy ultra-productive 2014. Make up a list like mine (takes five minutes in Microsoft Word) and sit down with a pen and paper and fill it in. Honestly, I had thirty done in ten minutes:

One hundred fabulous memories from 2013As you remember each fabulous thing that’s happened to you in the year, no matter how small, it will trigger happy feelings, and before you know it you’ll be glass half full instead of glass half empty about everything, writing included. My list included everyday things like:

  • Standing on the verandah watching a thunderstorm
  • Eating a perfect lime slushy on that really hot afternoon
  • Watching the Aussies win the Ashes on tv (cricket, for those who don’t know)
  • Laughing at the cat that time he rolled in his sleep and fell off the chair
  • Watching Meg’s eyes light up when she talked about her new home

I also included some personal peak moments that really meant something to me. So you get the idea. Fill up the list, really feel the emotions, reliving all their splendor as you write, then make time with your morning coffee each day to have a glance through it again and let the happy memories make you smile.

I pinky-promise it will help you let go of the negativity that weighs you down and squashes your creative inspiration. Then you’ll be all set up for a fabulously successful, productive, satisfying and fun 2014.

Go for it!

Encouraging writing and finding the right ebook


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If you’re not subscribed to my blog at you might have missed some recent posts there on:

Encouraging grass roots writing (one local council gets it right)


Introducing…The Fussy Librarian (who suggests ebooks for you based on your interests and content preferences)

I’d love to hear your comments!